"Maybe dork would be a better word?"
I posted a little piece on London Daily Photo on the recent once-a-month Geek dinner held here in London, Ontario.
There are hundreds of daily photo sites, if not thousands, around the world and the Geek dinner evening is a perfect event to post to these forums.
In my post, I took mild umbrage at the use of the word "geek". I checked its meaning, and yes it was in my Canadian Oxford Dictionary, and the word did not describe the people at the dinner. It wasn't even close.
I received a humorous comment suggesting that maybe dork would be a better word. I laughed and read the comment to my wife who agreed but for the weirdest of reasons: when she was a teen, the kids with whom she hung-out twisted dork into a compliment.
These teens claimed, and possibly believed, that dork was a shortening of the name Dorcas, a woman in the Bible famous for her acts of kindness. A dressmaker, she made clothes for the poor in her village of Joppa.
Dorcas was a real “doer.” If she had an idea, she acted upon it. Not a wealthy woman herself, Dorcas gave not money but she gave of herself. If she thought of a way to help the needy, she immediately carried out her plan. She knew what she could do and she did it. She made clothes for widows, both young and old, for their children and for all in need in her community.
Greatly loved and respected, she busied herself with her good deeds. She did not strive to be an admired leader; She was not driven by ego. Still, in the end, she did become a leader in philanthropic causes.
When she died, the grief-stricken people of Joppa sent word to the Apostle Peter who was visiting a neighbouring town. When Peter arrived, he found Dorcas laid out for her funeral. Surrounding her were coats and other garments that she had made and freely given away over the years.
Peter looked around and saw the aged widows whose hands were too feeble to sew and too poor to pay others for their work; He saw the younger widows accompanied by children clothed by Dorcas.
Peter, his emotions touched, sent all from the room and then knelt down and prayed. God answered his prayers and Dorcas arose from the dead.
Since then, women throughout history have formed “Dorcas Societies”, holding to humanitarian ideals and engaging in various relief activities.
I don't believe these ladies, so influenced by the example set by Dorcas, were ever called Dorcs or Dorks. I think these teens were wrong. One might even say that they were being dorks but I won't.
There is a type of gazelle today called the dorcas gazelle. It seems, "Dorcas" is a female name of Greek origins, meaning "gazelle".
I like to think that these teens bounded lightly away, gazelle-like, escaping the taint of a nasty insult.
Friday, December 4, 2009
Wednesday, December 2, 2009
Infectious Art
The Jones New York women's fashions factory outlet is closing. Come January it will be gone. Like so many of the stores in the mall at the intersection of Wellington and Exeter Roads, it soon will be empty.
My wife and I stopped by there the other day. Retired, we seek out bargains and the Jones store was filled with them. Marked down women's wear, marked down again.
My wife tried on this and that and bought more this and that than I would have liked. I felt we couldn't afford it; We're retired. She felt we couldn't miss the bargains; We're retired. Ah, the same shade of grey but it looks different to each of us.
While my wife shopped, I took pictures. Surrounded by beautiful fabrics and clean light, I took out my little camera and set to work.
The staff watched, obviously curious. I got down on my knees for one pictures and stretched out over a round rack of dresses for another. I held my little camera up, down and rotated it diagonally.
Unable to keep their silence, they asked me politely what I was doing. I told them and I showed them the pictures on the camera-back monitor.
"Oh." They understood.
Now art was in the air. It filled the store and the staff was infected. "Have you looked outside?" A couple of the sales clerks were really getting into this and they had discovered their own art moment. "Those clouds won't last," they told me.
I slipped out the door into the parking lot. They were right.
My wife and I stopped by there the other day. Retired, we seek out bargains and the Jones store was filled with them. Marked down women's wear, marked down again.
My wife tried on this and that and bought more this and that than I would have liked. I felt we couldn't afford it; We're retired. She felt we couldn't miss the bargains; We're retired. Ah, the same shade of grey but it looks different to each of us.
While my wife shopped, I took pictures. Surrounded by beautiful fabrics and clean light, I took out my little camera and set to work.
The staff watched, obviously curious. I got down on my knees for one pictures and stretched out over a round rack of dresses for another. I held my little camera up, down and rotated it diagonally.
Unable to keep their silence, they asked me politely what I was doing. I told them and I showed them the pictures on the camera-back monitor.
"Oh." They understood.
Now art was in the air. It filled the store and the staff was infected. "Have you looked outside?" A couple of the sales clerks were really getting into this and they had discovered their own art moment. "Those clouds won't last," they told me.
I slipped out the door into the parking lot. They were right.
Tuesday, December 1, 2009
The only constant in life is change.
For sharing family photos, Facebook is good but I find it cluttered. I share images quickly by including them in blog posts. The picture of Fiona at the end of this post was downloaded within minutes of hitting the Net.
But the speed at which we share stuff today is not today's story. Today we look at milestones and the changes I've noticed in Fiona. I checked the Internet and discovered . . .
Motor skills: At first Fiona was a "Wobbly Head." But little ones are exercise crazy and all that vigorous stretching and kicking quickly pays dividends. At three months she holds her head high, her Wobbly Head days are behind her.
Vision: Most newborns focus best on objects about 12 inches away, or the distance to mom's face during a feeding. But by age three months, according to the experts, Fiona is ready for art. The experts agree that Fiona is ready to appreciate more complex stuff, like intricate, geometric Navajo designs in rich earth-tones. Her preference for a big, beautiful red painting done by a friend in Montreal is real. I am not imagining things. (Whew!)
Hearing: Even newborns respond to loud noises; They blink, act startled, even frown. But today Fiona responds with noticeable discernment. She smiles — a relaxed, contented smile — especially whenever mom or dad are speaking.
Communication: At three months communication skills are definitely non-verbal but they are present nevertheless. There is a new tone to her cries, the coos. One best pay attention or soon the tone will take a nasty turn and Fiona will get downright insistent: "Now, listen up!"
When pleased the little queen will measure out a smile and if bored she will entertain herself by blowing bubbles. Waving hands and wiggling feet can be quite captivating. If you are going to hold Fiona's attention you've got to prove yourself a more interesting companion than her ten toes. This is not as easy as it sounds.
(This makes me think of a picture — a close-up of her little lips, so perfectly formed, pursed, puckered and blowing bubbles. Could be beautiful.)
Which brings me back to our walks down the hall. The experts say simple conversation, and mine can be as simple as they come, lays the groundwork for language development. Describing sights, smells and sounds around the house is good. Fiona may not understand a word but she is sensitive and picks up stuff from just the tone of your voice. (I've actually used a firm tone to ask her to stop crying and she has stopped. I immediately headed for the hallway to view the art on the walls and to reward her for good conduct.)
Which brings us to the flip-side of all this. Babies reach developmental milestones at different ages, but by three months one should consult the baby's doctor if any of the following red flags are flying:
Update: Fiona at 21-months
But the speed at which we share stuff today is not today's story. Today we look at milestones and the changes I've noticed in Fiona. I checked the Internet and discovered . . .
Motor skills: At first Fiona was a "Wobbly Head." But little ones are exercise crazy and all that vigorous stretching and kicking quickly pays dividends. At three months she holds her head high, her Wobbly Head days are behind her.
Vision: Most newborns focus best on objects about 12 inches away, or the distance to mom's face during a feeding. But by age three months, according to the experts, Fiona is ready for art. The experts agree that Fiona is ready to appreciate more complex stuff, like intricate, geometric Navajo designs in rich earth-tones. Her preference for a big, beautiful red painting done by a friend in Montreal is real. I am not imagining things. (Whew!)
Hearing: Even newborns respond to loud noises; They blink, act startled, even frown. But today Fiona responds with noticeable discernment. She smiles — a relaxed, contented smile — especially whenever mom or dad are speaking.
Communication: At three months communication skills are definitely non-verbal but they are present nevertheless. There is a new tone to her cries, the coos. One best pay attention or soon the tone will take a nasty turn and Fiona will get downright insistent: "Now, listen up!"
When pleased the little queen will measure out a smile and if bored she will entertain herself by blowing bubbles. Waving hands and wiggling feet can be quite captivating. If you are going to hold Fiona's attention you've got to prove yourself a more interesting companion than her ten toes. This is not as easy as it sounds.
(This makes me think of a picture — a close-up of her little lips, so perfectly formed, pursed, puckered and blowing bubbles. Could be beautiful.)
Which brings me back to our walks down the hall. The experts say simple conversation, and mine can be as simple as they come, lays the groundwork for language development. Describing sights, smells and sounds around the house is good. Fiona may not understand a word but she is sensitive and picks up stuff from just the tone of your voice. (I've actually used a firm tone to ask her to stop crying and she has stopped. I immediately headed for the hallway to view the art on the walls and to reward her for good conduct.)
Which brings us to the flip-side of all this. Babies reach developmental milestones at different ages, but by three months one should consult the baby's doctor if any of the following red flags are flying:
- No improvement in head control
- No attempts to lift the head when lying facedown
- Extreme floppiness
- Lack of response to sounds or visual cues, such as loud noises or bright lights
- Inability to focus on a caregiver's eyes
- Poor weight gain
Update: Fiona at 21-months
Milestones are still being reached and passed. "You go, girl!" |
Monday, November 30, 2009
Fiona soon to be three - months!
For those who are waiting patiently to see Fiona and daddy John. Here is a post just for you.
Fiona has passed a milestone; She is no longer a newborn baby. She is now simply a baby. She now is holding her head up, checking out her surroundings. So far everything seems to have passed inspection.
Judy calls her a pothead as she is quite taken with the stainless steel pots hanging from the ceiling above our kitchen counter.
I think of her as more of an art buff; She quiets right down when I stroll around our home and discuss the art with the obviously intensely interested little girl cradled in my arms. She is especially interested in the various sculptures that sit on our livingroom mantle.
Cheers,
Rockinon
Fiona has passed a milestone; She is no longer a newborn baby. She is now simply a baby. She now is holding her head up, checking out her surroundings. So far everything seems to have passed inspection.
Judy calls her a pothead as she is quite taken with the stainless steel pots hanging from the ceiling above our kitchen counter.
I think of her as more of an art buff; She quiets right down when I stroll around our home and discuss the art with the obviously intensely interested little girl cradled in my arms. She is especially interested in the various sculptures that sit on our livingroom mantle.
Cheers,
Rockinon
You're more powerful than you think.
Note: the video has been changed. I was told that my first was like a feel-good e-mail message. That was enough for me; I changed the video immediately. I removed the cheese.
__________________________________________________
What we do in life is important. We've all heard of the "Butterfly Effect." If conditions are right, small actions have big effects.
Your actions reverberate in the world much longer than you would ever imagine. You truly are more powerful than you think.
This post and the video were inspired by a passage in the book The Year of Living Biblically by A.J. Jacobs. Troubled by the unfairness of the biblical injunction that wicked acts by the fathers will be visited upon the children to the third and fourth generation, Jacobs, after much thought, arrived at a generous interpretation, and came to appreciate the passage with his new insight.
As a young boy I, too, was troubled by the unfairness of this Biblical passage. My mother had an interpretation which was in agreement with Jacobs. Years later I chatted with a minister who would go on to become a bishop and he confirmed my mother's interpretation.
Our actions influence others. A father's bad actions set a bad example not just for his children but for generations to come. Set a bad example and your children and your children's children may very well suffer.
But why stop with fathers?
Cheers,
Rockinon.
__________________________________________________
What we do in life is important. We've all heard of the "Butterfly Effect." If conditions are right, small actions have big effects.
Your actions reverberate in the world much longer than you would ever imagine. You truly are more powerful than you think.
This post and the video were inspired by a passage in the book The Year of Living Biblically by A.J. Jacobs. Troubled by the unfairness of the biblical injunction that wicked acts by the fathers will be visited upon the children to the third and fourth generation, Jacobs, after much thought, arrived at a generous interpretation, and came to appreciate the passage with his new insight.
As a young boy I, too, was troubled by the unfairness of this Biblical passage. My mother had an interpretation which was in agreement with Jacobs. Years later I chatted with a minister who would go on to become a bishop and he confirmed my mother's interpretation.
Our actions influence others. A father's bad actions set a bad example not just for his children but for generations to come. Set a bad example and your children and your children's children may very well suffer.
But why stop with fathers?
Cheers,
Rockinon.
Saturday, November 28, 2009
Modern Dance_a burning obsession
Years ago I shot some pictures for a gentleman and his wife; Both were movers and shakers in the art scene here in London, Ontario. As payment for my work they gave me not just cash, always nice, but tickets for two to each show at a local theatre.
Of all the theatre stuff I was exposed to in those 12-months, I think the modern dance nights were my favourites. I knew very little about modern dance but by then end of the year I was making the drive to Toronto to catch the Danny Grossman Dance Company and attending the Joffrey Ballet in New York. When the touring arm of the Joffrey stopped in London, I made sure I was there.
For me, the best modern dance was imaginative and visually witty with a patina of surrealism. I would go on about the "incongruous juxtapositions" but I never felt comfortable with that talk in art school and I am not about to get into it now.
The only way to make such a conversation work is to get a good group of friends, a couple of jugs of beer and lots of pub-popcorn and peanuts and then, and only then, is it possible to launch into a discussion of what it means to conduct an entire dance routine under a bright red sheet of lycra stretched tautly over an entire stage. The dancers are never seen. All we see are the moving, expanding and contracting bulges, the result of the dancers performing under the distorted fabric.
All the foregoing was an introduction to this video by Memo Akten.
This video is an off-shoot from a visual performance accompanying the Rambert Dance Company at the Queen Elizabeth Hall, South Bank, London UK . . . When the clip starts, you probably won't recognize a human shape, but your eyes and mind will be searching, seeking mental connections between abstract shapes and recognizable patterns, like looking for shapes in clouds. You'll be questioning what you see, is that him? is he sitting? is he crouching? is he kneeling? until all of a sudden, he'll be crystal clear . . .
The dancers are Robin Gladwin and Miguel Altunaga. Choreography by Alexander Whitley.
Reincarnation from Memo Akten on Vimeo.
Enjoy,
Cheers,
Rockinon
Of all the theatre stuff I was exposed to in those 12-months, I think the modern dance nights were my favourites. I knew very little about modern dance but by then end of the year I was making the drive to Toronto to catch the Danny Grossman Dance Company and attending the Joffrey Ballet in New York. When the touring arm of the Joffrey stopped in London, I made sure I was there.
For me, the best modern dance was imaginative and visually witty with a patina of surrealism. I would go on about the "incongruous juxtapositions" but I never felt comfortable with that talk in art school and I am not about to get into it now.
The only way to make such a conversation work is to get a good group of friends, a couple of jugs of beer and lots of pub-popcorn and peanuts and then, and only then, is it possible to launch into a discussion of what it means to conduct an entire dance routine under a bright red sheet of lycra stretched tautly over an entire stage. The dancers are never seen. All we see are the moving, expanding and contracting bulges, the result of the dancers performing under the distorted fabric.
All the foregoing was an introduction to this video by Memo Akten.
This video is an off-shoot from a visual performance accompanying the Rambert Dance Company at the Queen Elizabeth Hall, South Bank, London UK . . . When the clip starts, you probably won't recognize a human shape, but your eyes and mind will be searching, seeking mental connections between abstract shapes and recognizable patterns, like looking for shapes in clouds. You'll be questioning what you see, is that him? is he sitting? is he crouching? is he kneeling? until all of a sudden, he'll be crystal clear . . .
The dancers are Robin Gladwin and Miguel Altunaga. Choreography by Alexander Whitley.
Reincarnation from Memo Akten on Vimeo.
Enjoy,
Cheers,
Rockinon
Christmas in Norway
I have linked to this site so often in the past that I am beginning to feel pangs of guilt. Oh well, I can handle them.
I saw Elle's tweet and thought "ho hum" but no, it's a" ho ho ho." What gives this post an edge? - the picture of the helicopter placing a Christmas tree on a bridge. It is just such a neat thing to do on so many levels.
The lights are starting to appear in London and soon I'll go out and get some shots of the local crazies who light their homes better than Niagara Falls.
Cheers,
Rockinon
I saw Elle's tweet and thought "ho hum" but no, it's a" ho ho ho." What gives this post an edge? - the picture of the helicopter placing a Christmas tree on a bridge. It is just such a neat thing to do on so many levels.
The lights are starting to appear in London and soon I'll go out and get some shots of the local crazies who light their homes better than Niagara Falls.
Cheers,
Rockinon
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